![]() Mixing their footage with videos taken by protesters and activists, Folayan and Davis create a work of stunning immediacy, capturing both the bravery and the fears of participants, who understand they have no more ground to give. ( Both are streaming on Netflix.) Whose Streets? (2017)ĭirectors Sabaah Folayan and Damon Davis took their cameras to the streets of Ferguson, Missouri, for this ground-level account of the protests that rocked the nation in the days and weeks after the murder of Michael Brown Jr. The context provided by Let It Fall is certainly helpful (these two films are best viewed together), but LA 92 brilliantly captures the feelings of inevitability and helplessness that tend to swirl around such protests - a sense that unrest has been brewing for some time, and that there’s no end in sight. uprising, but takes an approach closer to Let the Fire Burn it’s a present-tense accounting of the events, re-created as they happened via news coverage, home videos, and archival materials. Martin’s documentary also covers the 1992 L.A. John Ridley’s documentary painstakingly details that history, providing valuable context for the events of April 1992, as well as the continuing discourse in the city.ĭaniel Lindsay and T.J. The protests, many activists at the time made clear, addressed the long history of friction between the LAPD and the city’s African-American and Latinx communities. uprising wasn’t just a rapid response to the acquittals of the officers charged with the beating of Rodney King - an assault captured on videotape and disseminated on television, one of the first of many viral videos of police misconduct. Jason Osder’s incendiary documentary account relies less on present-day interviews and narration, and focuses instead on the events as they happened, presenting a meticulous ticktock of an infuriating abuse of power. Five children and six adults perished in the blaze, which also destroyed over 60 homes in the neighborhood. The group resisted, and police unleashed gunfire, tear gas, and explosives on the home, which officials - with the permission of the mayor and district attorney - opted to let burn. The mission of MCC is to create significant economic benefit for the greater Nashville area, while focusing on community inclusion, sustainability, and exceptional customer service, through conventions, trade shows, and community events.In May of 1985, the Philadelphia Police Department attempted to evict the members of the black liberation group MOVE from their row house in a residential area. Located in the heart of downtown Nashville, Music City Center (MCC) is a 2.1 million square foot convention center with more than 353,000 square feet of exhibit hall space, two ballrooms, 55 meeting rooms, and a covered parking garage with 1,800 spaces. Deadline to register online for the series of masterclasses is 12 p.m. Descriptions and registrations for each masterclass can also be found on the website.ĭeadline to register online for the conference is Thursday, October 19, 2023. To register, visit the conference website at. Beginning in June, one class will be held each month, leading up to the conference in October. This year, a series of masterclasses will also be offered, free of charge, to help prepare attendees for the conference. As part of the facility’s Diversity Business Enterprise Program, the event is designed to bring small businesses and engineering firms face-to-face with large prime contractors and government agencies. ![]() This is the second year for the one-day conference. The cost is $35 and includes parking, lunch, conference, and workshops. NASHVILLE, TN - Music City Center, in partnership with Nashville Business Incubation Center and Tennessee APEX Accelerator (formerly Procurement Technical Assistance Center), will host a Construction Opportunities Conference this fall on October 26th from 9 am to 4 pm at the Music City Center. Investigative Stories Open dropdown menu.COVID-19 Resource Center Open dropdown menu.
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